1/8/2023 0 Comments Nifty fifty lensOur little furry friend Frida at 50mm, f/1.8, ISO 1100 and 1/100 This is right by the window too, and again you can still see the background. A basic cropped sensor DSLR will be really noisy at this ISO if it reaches this high at all. Our little furry friend Frida at 50mm, f/5.6, ISO 9000 and 1/80Īt extended ISO on my D700, the image is really noisy. Most basic DSLR’s have a limited ISO range, so having the fast aperture ensures you can shoot in the lower range of ISO indoors, while providing a high shutter speed. The faster the aperture of a lens, the higher the available shutter speed is at any ISO.Ī difficult-to-take portrait photograph at 1/15 seconds at f/5.6 (the usual aperture at the long end of your kit lens) becomes a comfortable 1/140 at f/1.8! With even modest 1.8 50mm prime lenses, you will be able to shoot indoors without a flash. If you are primarily working in low light, read this tutorial to learn how to capture great photos in low light. What? No flash? That pop-up flash on your camera is a real atmosphere killer. If you want subtle, natural light, you need your trusty nifty fifty! You will learn to compose with the scene that is in front of you! You’ll know what the scene will look like through a 50mm field of view.Īnd without the temptation to zoom, you’ll become more adventurous with your framing. After a while, you’ll be able to pre-visualise the image before you put your camera to your eye. You’ll also learn to step back from your subject to add context. You’ll get closer to your subject to isolate it from a distracting background, which will mostly be abstract shapes (especially if you have the f/1.4 version). With 50mm prime lenses, instead of zooming with your hand, you will zoom with your feet. ‘I can go from wide angle to short telephoto with one twist of my kit zoom!’. Ironically, not having the flexibility of a zoom, rather than limit your photography, will over time enhance and improve your composition. A 50mm Prime Lens Will Improve Your Composition Here are 8 reasons why you should have the 50mm prime lens in your bag! 8. In fact, possibly the most famous photographer ever, Henri Cartier-Bresson, used the 50mm lens for most of his photography. Before the advent of zooms, most cameras were fitted with 50mm lenses. ![]() The 50mm prime lenses are probably the most useful and complete all-round lenses you could buy. Many professionals would choose one of the 50mm lenses if it was the only lens they could carry. The 50mm ‘nifty fifty’ lens gives the most flexibility to your photography and is probably the easiest focal length to frame well. You need to make the nearer eye the focus point. You have to be careful to get your focus point right though, as you can see the more distant eye is out of focus. A very simple portrait at 50mm, f/1.8, ISO 200 and 1/400.Įven at 1.8 you can see the trees and foliage melt away into a beautiful abstract background. This is the best case scenario at about 1.5 ft distance from subject. A very simple portrait at 50mm, f/5.6, ISO 640 and 1/125Īs you can see the background is still distinguishable and is quite distracting. I think the 50mm prime lens is the obvious choice. In essence, you get a modest wide-angle with a normal 50mm lens and a moderate telephoto lens all-in-one.Īs you build your confidence as a photographer at least one prime lens should be in your camera bag. The only good thing about a kit zoom is its optical range. You won’t get a lot of separation of your subject from your background. ![]() Just forget about low-light and indoor photography! ![]()
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